#Lamentis 1 marvel windows#
Color plays a major role, with physical lights of various colors – including neon signs, electric signs and powered windows – joined by a multi-story cityscape illuminated by dozens of lights and reflections, all designed and added by hand. The city of Shuroo was created as a wild and colorful contrast to the otherwise arid world of Lamentis-1. The futuristic frontier city was created with a mixture of techniques, physical sets making part of the ground floor, and anything over 12-feet added later by Digital Domain.
Although the audience only sees a small portion of the world through the train’s windows, Digital Domain created a complete and consistent virtual landscape to show glimpses of the ravaged world as the train speeds by.Īfter an unexpectedly early departure from the train and a walk through an alien landscape under a magenta sunset, Loki and Sylvie reach the city of Shuroo. The ornate set features a circular layout centered on a round bar, with two diamond-shaped windows and a glass ceiling. Each piece of background started with individual assets created and sculpted digitally, then textures and individual details were added to give the items a look of wear and tear, and help make the alien landscape more familiar.Įventually, thanks to a bit of luck and magic, Loki and Sylvie find themselves in the relative luxury of a train dining car.
#Lamentis 1 marvel license#
The speed, smoke trail and impact magnitude were experimented with to find a realistic basis, before a touch of artistic license was employed to ensure the more visually spectacular result.Īlong with the steady rain of fiery rocks, Digital Domain helped to populate the moon with signs of civilization, including a dilapidated town and mining equipment. To help add an air of authenticity to the storm, Digital Domain based the flaming meteors on real physics. A near-constant stream of photorealistic CG meteors of varying shapes and sizes were also featured in every scene, with some leading to distant explosions added later, and others simply streaking by.Īlmost immediately after arriving on Lamentis-1, Loki and Sylvie find themselves in the middle of a meteorite storm. Digital Domain then took the live action footage and filled out the rest, adding everything from a color correction to emphasize the purple in the atmosphere, to the dead planet above. Actors performed scenes on partial sets surrounded by blue screens. The moon of Lamentis-1 was envisioned as one of the most deadly places in all of space and time, which led the filmmakers to develop a mix of practical and digital effects to highlight the surface. The digital creation and destruction of Lamentis and its moon Lamentis-1 was completed using a combination of Maya, ZBrush, Nuke and Houdini, with V-Ray and Redshift rendering the completed work.ĭigital Domain also introduced a ring of debris trapped in orbit after Lamentis shattered, leaving a rocky halo around the planet, and setting the stage for a much bigger scene of destruction, beginning with a near constant barrage of meteors streaming toward the moon. A massive fissure nearly tearing the planet in half was then added to highlight its unstable nature. With the look of the surface established, artists began to alter the sphere, adding multiple bore holes and cracks to show the results of years of strip mining. Set in the year 2077 after humanity has left the confines of Earth, Lamentis is meant as a cautionary tale. Artists added the natural characteristics of a planet of that type, including impact craters and deep shadows, then they set about giving Lamentis character – and a backstory. Ultimately, a barren landscape without an atmosphere was selected. Once the foundation was in place, Digital Domain’s artists worked closely with Marvel Studios to test out multiple iterations of Lamentis, including a habitable planet with water and vegetation, and another with an exposed molten core. To create the dying world of Lamentis-1, Digital Domain started by creating the massive, rocky planet it orbits, using Houdini. With mere hours until the planet annihilation, the duo is forced to work together if they have a chance for escape. On the run from the mysterious Time Variance Authority (TVA), Loki and his uneasy ally Sylvie find themselves on Lamentis-1, a habitable satellite of the dead planet, Lamentis.
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